Master’s Degree Programme in Choreography
The Master’s Degree Programme in Choreography is comprised of two years of full-time studies. The program develops the student’s independency as an artist, as well as his/her critical awareness and understanding of the practices and strategies in contemporary choreography and of the interactional relationship between art and society.
Happening now in the MA programme in Choreography
The Master’s Degree Programme in Choreography (120 cts.) is a full-time, two-year study programme at the Theatre Academy of the University of the Arts Helsinki. The intake is biennial and, in spring 2017, three to five new students will be accepted to the programme.
The programme emphasizes a historically conscious, yet critical, open, and research-based take on choreography. It offers the student a versatile learning environment, which supports artistic development, dialogism and cooperation, integrating practice and theory in studies and artistic processes.
The artistic director of the MA Programme in Choreography is professor Kirsi Monni.
Guest teachers, lecturers and artists:
Mikael Aaltonen, Annette Arlander, Ramsay Burt, João Fiadeiro, Marlene Freitas, Mika Haaranen, Joona Halonen, Mark Harvey, Satu Herrala, Mikko Hynninen, Inka Maija Iitiä, Mette Ingvartsen, Hanna Järvinen, Aune Kallinen, Anna-Mari Karvonen, Simo Kellokumpu, Esa Kirkkopelto, Katja Kirsi, Jenni Koistinen, Katve-Kaisa Kontturi, Harri Kuorelahti, Benoît Lachambre, Jennifer Lacey, Soile Lahdenperä, Ray Langenbach, Kai Lehikoinen, Sonya Lindfors, Miika Luoto, Kirsten Maar, Erin Manning, Pirjetta Mulari, Tero Nauha, Kira O’Reilly, Mikko Orpana, Juhani Pallasmaa, Jarkko Partanen, Jeroen Peeters, Liisa Pentti, Elina Pirinen, Tarja Pitkänen-Walter, Pilvi Porkola, Olli Pyyhtinen, Liisa Risu, Leena Rouhiainen, Melanie Sehgal, João da Silva, Virve Sutinen, Ari Tenhula
Guests on Big Stage Course: Kari Arffman, Jere Erkkilä, Tuomas Fränti, Satu Halttunen, Minna Hokkanen, Juha Jokela, Kimmo Karjunen, Juhani Koivisto, Mikko Koivu, Saana Lavaste, Robert Lepage, Tuukka Leppänen, Samuli Nordberg, Seppo Parkkinen, Lauri Pokkinen, Kai Poutanen, Sampo Pyhälä, Anna Rouhu, Tero Saarinen, Juha Siltanen, Tiina Syrjä, Erika Turunen, Nina Valtonen, Auvo Vihro, David Wiles
Frédéric Gies, Heiner Goebbels (visiting professor), Nik Haffner, Dorita Hannah, Mika Hannula, Saara Hannula, Deborah Hay (Honorary Doctor), Hanna-Leena Helavuori, Pauliina Hulkko, Tomi Humalisto, Anna-Maria Häkkinen, Hilkka-Liisa Iivanainen, Anna Jussilainen, Aune Kallinen, Kimmo Karjunen, Jari (Suopo) Kauppinen, Simo Kellokumpu, Jenni Kivelä, Timo Klemola, Michael Kliën, Jarno Kuosa, Miika Luoto, Mariah Maloney, Anne Makkonen, Erin Manning, Mikko Orpana, Jarkko Partanen, Jusa Peltoniemi, Pilvi Porkola, Victoria Pérez Royo, Milja Sarkola, Kati Raatikainen, Liisa Risu, Maarit Ruikka, Salla Salin, Theodoros Terzopoulos, Steve Valk, Eira Virekoski, Olli Virtaperko
Erasmus IP teachers: Ric Allsopp, Elen Giannotti, Ms. Vaginal Davis, Martin Hargreaves, Miika Luoto, Sophia New, Victoria Pérez Royo, Sergej Pristas, João da Silva, Sandra Umathum, Jasna Žmak
Susan Foster, Maija Hirvanen, Pauliina Hulkko, Tomi Humalisto, Anna-Maria Häkkinen, Hilkka-Liisa Iivanainen, Kimmo Karjunen, Anna-Mari Karvonen, Jari (Suopo) Kauppinen, Esa Kirkkopelto, Timo Klemola, Michael Kliën, Olli Koskelin, Miika Luoto, Mariah Maloney, Anne Makkonen, Nina Numminen, Sofia Pantouvaki, Jarkko Partanen, Jeroen Peeters, Susan Rethorst, Leena Rouhiainen, Maarit Ruikka, Salla Salin, Ula Sickle, Olli Virtaperko
Erasmus IP teachers: Artistwins Deufert & Plischke, Ric Allsopp, Konstantina Goergelou, Terike Haapoja, Saara Hannula, Martin Hargreaves, Scott de la Hunta, Esa Kirkkopelto, Tuija Kokkonen, Rhys Martin, Sergej Pristas, Leena Rouhiainen, Lina Saneh, João da Silva, Ari Tenhula, Lito Walkey
Staff of BA in Dance and MA in Dance Performace at the Theatre Academy:
Professor Ari Tenhula, lecturer Soile Lahdenperä, lecturer Sanna Myllylahti, lecturer Mammu Rankanen
Tero Hytönen is an artist from Äänekoski, Central Finland. He recently completed his Degree Programme in Dance BA (Theatre Academy) and also has a M.A in visual arts (Aalto). He is currently interested especially in different phenomena around perception and interfaces between dance and visual arts.
Karoliina Loimaala is a dance artist originally from Tampere, Finland. She has previously graduated from P.A.R.T.S., Belgium. She has worked with dancers from the Forsythe Company, and done collaborations in Europe, India, Senegal. At the moment she is interested in the psychophysical body, the philosophy of budo and language.
Pietari Kärki (1990, Tampere) graduated in modern theater dance from the Amsterdam University of the Arts in the spring of 2014. He makes suggestive live stage pieces that aim to give space in our perception for different potentials of unimaginable existences to emerge. His work is playful and despite often painting images of human errors and failure he intends this with love and respect.
Marika Peura completed her Degree Program in Dance (Theatre Academy) in spring 2017. She spent the second year of those studies as an exhange student in Dance, Context, Choreography program in HZT, Berlin. She is part of Cleva Collective (founded in 2009) that works diversely around urban dance and culture.
Jenni-Elina von Bagh
The MA Programme in Choreograhy offers students exceptional opportunities for artistic activities, making use of the academy’s performance facilities and the services of the training theatre.
Four artistic projects are included in the curriculum. The goal of the artistic practise is to support student's personal, creative and insightful view of the multidimensional ways in which choreography manifests as art. Read more about artistic projects.
In addition to bringing a variety of new choreographies every season, the MA Programme in Choreography is an active motor in public discussion in the dance field. It organizes open lectures, the video documentations of which are available online. It is also an essential agent in the Theatre Academy’s international publication series Kinesis, which publishes research studies on dance. The MA Programme has a Choreoblog a platform for sharing and open discussion. It also brings out newsletters for its intrerest groups.
Below you find selected video articles and news on open lectures, Choreoblog texts or Kinesis Publications.
Selected open access material: lectures, publications etc.
The Master’s Degree Programme in Choreography advances students’ preparedness for doctoral studies, and it collaborates with the Theatre Academy’s Performing Arts Research Centre (Tutke). The programme is an important actor in publishing international dance research for Theatre Academy's Kinesis series.
Below you find current dorctoral students, their research perojects as well as dissertations in Theatre Academy in the field of choreography.
Doctoral students and Research projects
Doctoral students and Research projects
Simo Kellokumpu: Contextual Choreography
Kellokumpu's doctoral artistic research -project examines the choreographic relations, interconnectedness and reciprocity of movement, corporeality, embodiment, place, space, and context.
Mirva Mäkinen: Contact improvisation as a somaesthetic performance
The research focuses in contact improvisers sensory and somatic experiences in a performance process. Through the artistic parts she is researching, what kind of somatic or somaesthetic experiences a dancer has from being looked at by other dancers or a member of an audience. What is an aesthetic experience and what conditions make it possible? The subject is considered from different perspectives; interviewing, through three artistic parts and through dancers personal viewpoints. Mirva Mäkinen also aims to understand her own experiences as a researcher, an art-maker and as a participant. She is evaluating how experience from being seen by other dancer or by an audience is affecting the decision making process during improvisation and somatic experiences of a dancer.
Mirva Mäkinen has done three artistic parts; "Round Robin Project", "Inner Landscape" and "Spherical Space", that has been accepted as a part of her doctoral research.
Mikko Orpana: Organized by Awareness
In this artistic research I approach dancer’s work and choreography as a shared venture where the subject of the work gets it’s significance from each participant’s own situation at that specific moment which can lead to several kinds of encounters, contacts and separations between the performers. From this interaction or non-action the choreography emerges and configures itself over and over again during its course of action. By claiming that this is choreography I am defining why the focus and use of one’s own situation is fundamental for this kind of work in dance and making a choreography.
Jana Unmüssig: Composition as the Experience of being Composed by means of sight and vision: Contemplative Seeing fostering a moment of collective choreography.
My research is a practice-based inquiry focused on choreography- and studio-based composition as visual processes highlighting seeing while considering time as boredom in the context of expanded choreography. The research was carried out by means of three artistic works: Colour, Colour (2013), /// (2015), see/time/composing (2016). The research aim was to gain new insight on composition practice that values visuality from the perspective of a choreographer/director. The primary methodological tool was the making of the three artistic parts; experimentation and exploration were valued. The support framework for the research was mainly Martin Heidegger ́s fundamental phenomenology as well as the work of cultural theorists and art historians who are based in Heidegger ́s thinking; voices from contemporary dance scholars were also considered
Dissertations on Choreography
Dissertations on Choreography
Doctoral Dissertations on Choreography
Kirsi Törmi: Choreographic Process as Interaction.
Link to the dissertation PDF (Abstract in English on page 13).
Soile Lahdenperä: Muutoksen tilassa: Alexander-tekniikka koreografisen prosessin osana ( "In a State of Change – the Alexander Technique as Part of the Choreographic Process"). 2014
Link to the Dissertation's Abstract (In English)
Kirsi Monni: Olemisen poeettinen liike. Tanssin uuden paradigman taidefilosofisia tulkintoja Martin Heideggerin ajattelun valossa sekä taiteellinen työ vuosilta 1996–1999. 2005.
Link to the Dissertation (In Finnish)
Riitta Pasanen-Willberg: Vanhenevan tanssijan problematiikasta dialogisuuteen – koreografin näkökulma. 2001.
Link to the Dissertation (In Finnish)
Other Dissertations on Dance
Kinesis is publication series for dance programmes at Theatre Academy. The publications can be bought at University of the Arts Helsinki, Theatre Academy’s Library (Haapaniemenkatu 6, Helsinki) or ordered at email@example.com. Some of the Kinesis books are also available online.
List of Kinesis Publications
- Ismo-Pekka Heikinheimo: Taideteossidonnaista koreografiaa museokontekstissa. ("Artwork Specific Choreography in a Museum Context"). Kinesis 7
- Monni, Kirsi & Allsopp, Ric (eds.): Practicing Composition: Making Practice Texts, Dialogues and Documents 2011-2013 Kinesis 6
- Peeters, Jeroen: Through the Back: Situating Vision between Moving Bodies. Kinesis 5
- Lehikoinen, Kai: Tanssi sanoiksi: Tanssianalyysin perusteita. Kinesis 4
- Lepecki, André: Tanssitaide ja liikkeen politiikka. Kinesis 3
- Rethorst, Susan A.: Choreographic Mind: Autobodygraphical Writings. Kinesis 2
- Monni, Kirsi: Alexander-tekniikka ja Autenttinen liike-työskentely: Kaksi kehontietoisuuden harjoittamisen metodia Kinesis 1
Soda celebrates it's 10th anniversary!
Solo/Dance/Authorsip MA program located in HZT in Berlin will celebrate by presenting the work from it's present and past students.
The Soda Works festival, curated by the founder and professor of the program Rhys Martin, will be held in 18.11.-16.12.2017 all around the Berlin.
You can find more info from the festival's site.