André Lepecki's open discussion on Futures is the fourth event in the Futures Lecture Series.

Conversation on Futures with Professor André Lepecki

Torstai, marraskuu 14, 2019 - 17:30
Teatterikorkeakoulu, studio 709
Avoin keskustelutilaisuus

The open discussion will address some of the topics presented in André Lepecki’s latest book Singularities: Dance in the Age of Performance (Routledge, 2016) and asks what roles or possibilities contemporary performances have in forming our futures. The discussion will be moderated by professors Kirsi Monni and Otso Huopaniemi.

André Lepecki is a distinguished Professor and the chair of the Department of Performance Studies at Tisch School of the Arts at New York University. He is a world-renowned writer and curator, who works and researches at the intersection of performance studies and theory, critical dance studies, curatorial practice, contemporary dance and visual arts performance.

His influential and widely read books include Exhausting Dance: performance and the politics of movement (Routledge 2006), currently translated in 10 languages, and Singularities: dance in the age of performance (Routledge 2016). Exhausting dance has been translated into Finnish, by the title Tanssitaide ja liikkeen politiikka (suom. Hanna Järvinen, TeaK/Kinesis 2012).
 

More on André Lepecki

André Lepecki works and researches at the intersection of critical dance studies, curatorial practice, performance theory, contemporary dance and visual arts performance. Selected curatorial work includes Chief Curator of the festival IN TRANSIT (2008 and 2009 editions) at Haus der Kulturen der Welt, Berlin. Co-curator of the archive Dance and Visual Arts since 1960s for the exhibition MOVE: choreographing you, Hayward Gallery (2010). Curator of the lecture series Points of Convergence: performance and visual arts (2014) and Off-Hinge Off Center: alternative histories of performance, for the Museum of Modern Art of Warsaw (2014 and 2015). Also for MoMA-Warsaw he curated the series Performance in the Museum (2015). He also curated the project “The Future of Disappearance” for Sydney Biennial 2016, and co-curated with Adrian Heathfield the symposium Afterlives of Performance, at FiAFF and MoMA 2015.

In 2008 he received the AICA Award for Best Performance as co-curator and director of the authorized re-doing of Allan Kaprow’s 18 Happenings in 6 Parts (commissioned by Haus der Kunst, Munich 2006; presented at Performa 07).

Selected lectures include Museo Reina Sofia, MoMA-NY, Museu de Arte Moderna, Rio, MACBA, Para Site, Hong Kong, Haus der Kulturen der Welt, Berlin, WIELS, The Gauss Seminars at Princeton University, Freie Universität, Berlin, Brown University, UC-Berkeley, Federal University of Rio de Janeiro, École Superiore des Hautes Études en Sciences Sociales, Paris. In 2009 he was Resident Fellow at Institute Interweaving Performance Cultures at Freie Universität, Berlin. In 2015 he was Artistic Professor at Stockholm University of the Arts, where he helped develop the research profile area on Concept and Composition.

He is the editor of the anthologies Points of Convergence: alternative views on performance (MoMA-Warsaw and Chicago Univ. Press 2016, with Marta Dziewanska), Dance (Whitechapel, 2012), Planes of Composition: dance, theory and the global (Seagull press, 2009, with Jenn Joy), The Senses in Performance (Routledge 2007, with Sally Banes), and Of the Presence of the Body (Wesleyan University Press, 2004). His single authored books are Exhausting Dance: performance and the politics of movement (Routledge 2006), currently translated in 10 languages, and Singularities: dance in the age of performance (Routledge 2016).


About the Futures Lecture Series:

The Futures Series is organized by the master’s degree programmes in Choreography, Dramaturgy, and the Live Art and Performance Studies in collaboration with the Centre for Joint Studies at Uniarts Helsinki’s Theatre Academy.

The series proposes that we need to regard the future as plural futures. The futures often seem indeterminate or uncanny. It is precisely for this reason that we need to ask whether artistic practice, with its various modes of thought, has the capacity to approach such unforeseen possibilities of the emergent futures. How should we regard these futures, which ought to be an essential part of research in choreography, pedagogy and the performative capacity of art?

To ponder these capacities, we could see how the performative practices produce the visions and emergent futures and prehensions where artistic practices and thinking are not bound with ideologies, mediated truths or preconceived aesthetics. They are necessary alongside with contemporary science and theory, where prehension of futures are transversal and cross-contaminated. The proposal and experiments presented in this series aim to present how we could create space for thinking the indeterminate futures.

Lepecki's lecture is the fourth in the Futures Series. The first one was held in spring 2019 with a lecture by Paul O'Neill.

The Futures Lecture Series is part of Visiting Experts Series.