Master's Degree Programme in Choreography calls for applications for its next intake in 2017. The application period is 10th of January to 25th of January, and the admission guides have already been published!
In spring 2017, three to five new students will be accepted into the programme to study in Helsinki 2017-2019.
Sound sculpture, chair instrument, interactive installation - four artists are working on a project titled "Iskuin" that will be exhibited at Flow Festival in August. People behind the idea are Antti Suomalainen, Stephen Webb and Francisco Garcia Coronado, students of Uniarts Helsinki, and Jani Hietanen, a student at Aalto University's Media Lab.
Jolijn de Wolf’s Minotaur is a mythical creature who is new in this world and alien to the rules and the social grids in this environment. Meeting the Minotaur can be a way to meet yourself and your surroundings in a different way, de Wolf says.
What is unique in your performance?
Could you tell about your background?
I’m 20 years old and I come from Paris. I studied conducting at first in France in a private school, with Adrian McDonnell. After finishing high school I went to Tel Aviv University’s Buchmann-Mehta School of Music to study in the bachelor’s programme for orchestral conducting. After two years there I decided to apply to Sibelius Academy and got accepted to study orchestra conducting. Right now I’m in my first year in the programme.
What is your study programme and what year are you on?
I’m at my second year of my master’s programme in the Painting department. I started directly at master’s level in autumn 2014. I’m due to graduate in the spring of 2016.
Where did you study before?
I studied in Lyon, the Lyon School of Fine Arts, at the bachelor’s level for four years. I studied fine arts there.
In the beginning of March 2016, Jeroen Peeters and Jennifer Lacey visited MA Programmes in Choreography and in Dance Performance giving an international seminar and workshop that dealt with and questioned the theoretical and methodological premises for some contemporary dramaturgical and compositional ideas, such as performance dramaturgy and heterogenous stage. Jeroen Peeters is a Belgian dramaturge, performer and writer and Lacey is a renowned American choreographer and teacher based in Paris.
Could you tell about your background?
I come from Japan, where I studied the euphonium for four years in the bachelor’s programme at Kunitachi College of Music. Later on I took an advanced, two-year course for soloists in the same school. I eventually ended up in the Sibelius Academy in 2013 and I’m now doing my master’s studies here.
What attracted you to music and your instrument?
Gesa Piper has danced since early childhood. She is originally from Germany but took her first dance degree at Artez Dance Academy in Holland. Afterwards Piper worked as a freelance dancer, but eventually found herself at a point where she wanted to re-evaluate the development of her artistic self.
- I had come across some Finnish dancers and artists and I also found something interesting in Finland itself. I followed my feelings and my intuition, and they led me here to the Theatre Academy to study dance pedagogy.
Mirza Cizmic, a student in Painting at the Academy of Fine Arts, encourages future artists to express their artistic personality.
Mirza Cizmic began his studies at the Academy of Fine Arts in 2013, the same year that University of the Arts Helsinki was established. Born in Bosnia, Cizmic’s journey has led him from his home country to Sweden and ultimately, to Finland. Before coming to Helsinki, Mirza studied in Munka Konstskola in Sweden. It was there that he first encountered the name Academy of Fine Arts, in a Swedish art magazine.